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When I Rise Up

by Loah

supported by
Duncan Molloy
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Duncan Molloy The best example of putting existing poetry to music since Raglan Road. These are the definitive version of these poems to me now. It's all great, and the last track is transcendent. Favorite track: The Body to the Soul (Eva Gore-Booth).
Simon K
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Simon K A warm melodious blanket of sound, and poetry I never would have come across otherwise. Favorite track: The Second Coming (W.B. Yeats).
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1.
Your world is as big as you make it. I know, for I used to abide In the narrowest nest in a corner, My wings pressing close to my side. But I sighted the distant horizon Where the skyline encircled the sea And I throbbed with a burning desire To travel this immensity. I battered the cordons around me And cradled my wings on the breeze, Then soared to the uttermost reaches With rapture, with power, with ease!
2.
My People / Dreams The night is beautiful, So the faces of my people. The stars are beautiful, So the eyes of my people. Beautiful, also is the sun. Beautiful, also are the souls of my people. Hold fast to dreams For if dreams die Life is a broken-winged bird That cannot fly. Hold fast to dreams For when dreams go Life is a barren field Frozen with snow.
3.
Bring flowers to strew His way, Yea, sing, make holiday; Bid young lambs leap, And earth laugh after sleep. For now He cometh forth Winter flies to the north, Folds wings and cries Amid the bergs and ice. Yea, Death, great Death is dead, And Life reigns in his stead, Cometh the Athlete New from dead Death’s defeat. Cometh the Wrestler, But Death he makes no stir, Utterly spent and done, And all his kingdom gone.
4.
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it, Reel shadows of the indignant desert birds. The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?
5.
When I rise up above the earth, And look down on the things that fetter me, I beat my wings upon the air, Or tranquil lie, Surge after surge of potent strength Like incense comes to me When I rise up above the earth And look down upon the things that fetter me.
6.
Joseph’s Betrothal / Creation “Your garden grows a rose”, his people said. “Yes”, Mary’s father raised his old white head. “We have a rose”, he answered and his face Lit with love’s light poured radiance o’er the place. “We wish to pluck that rose that it may grow Henceforth in Joseph’s garden”, “Aye, I know,” Lisped Mary’s father, deeply sunk in thought. “Transplanting of a rose is always fraught With danger. Who knows if fresh soil Will nurture it as ours with skilful toil? Will love smooth out its petals, shade from sun, Water when thirsting, tended by your son?” “My son will tend it, it will bloom more rare, This rose of yours, entrusted to our care.” Thus did they toss the matter to and fro. The parents of the two in sunset’s glow. A flush, a curve, a wind that blows - A breath of life, ’twas called a rose. A little sorrow and joy in part, A breath of love, ’twas called a heart. A heart a rose, God took those two. He wove them together; He called them you.
7.
You have dragged me on through the wild wood ways, You have given me toil and scanty rest, I have seen the light of ten thousand days Grow dim and sink and fade in the West. You shall follow once more a wandering fire You shall gaze again on the starlit sea, You shall gather roses out of the mire: Alas, but you shall not remember me. Behold, I reach forth from beyond the years, I will cry to you from beneath the sod, I will drag you back from the starry spheres, Yea, down from the very bosom of God. You shall follow once more a wandering fire You shall gaze again on the starlit sea, You shall gather roses out of the mire: Alas, but you shall not remember me. You cannot hide from the sun and the wind, Or the whispered song of the April rain, The proud earth that moulds all things to her mind, Shall gather you out of the deeps again. You shall follow once more a wandering fire You shall gaze again on the starlit sea, You shall gather roses out of the mire: Alas, but you shall not remember me.

about

“When I Rise Up”, is an EP of poetry from the 1920s set to music, created in direct response to our unique global situation.

Taking an international approach to this project, Loah chose works by several poets who originate in Ireland, the United States, and Sierra Leone. The 7 track collection features works by poets Langston Hughes [USA], Georgia Douglas Johnson [USA], Gladys Casely-Hayford [Sierra Leone], Eva Gore Booth [Ireland], W.B. Yeats [Ireland], and Katharine Tynan [Ireland], on compositions centred on voice, acoustic guitar and piano, reflecting the continuity of folk storytelling throughout the ages.

The 1920s were, much as we are experiencing now, a time of great challenge and change internationally. In Ireland the Rising had shaken the foundations of our nation, leading to the War of Independence. The Women’s Suffrage Movement was beginning to see its parliamentary goals achieved globally. Stateside, the Harlem renaissance was setting the tone for a century of African-American intellectual emancipation and self-expression, with its genesis in the literary arts. This decade truly presented a zenith of post-war hope and aspiration, before the Great Depression of the 30s. This is represented powerfully in the writings of the time.

“While the poets I've chosen worked and published extensively throughout many decades, I chose to centre the series on works specifically published during the 1920s, with two exceptions. Taking the form of the folk song to bring the poems alive connects the past to the present in this most ancient means of storytelling, and certainly brings them alive for me personally.”

credits

released December 16, 2021

Artwork & Photography - Eve North Photography
Makeup & Hair - Naked Studios
Styling - Andrea Williams
Production & Locations Manager - Susannah Appleby


1. Your World
Music - Loah
Lyrics - Georgia Douglas Johnson
Vocals - Loah
Piano - Johnny Taylor
Guitar - Niwel Tsumbu
Production & Mixing - Cian Finlay
Recording Engineering - Cian Synnott at Windmill Lane Recording Studios
Mastering - Ruadhraí Cushnen at Camden Recording Studios

2. My People
Music - Loah
Lyrics - Langston Hughes
Vocals - Loah
Piano - Johnny Taylor
Guitar - Loah, Niwel Tsumbu
Mandolin - Niwel Tsumbu
Production & Mixing - Cian Finlay
Recording Engineering - Cian Synnott at Windmill Lane Recording Studios
Mastering - Ruadhraí Cushnen at Camden Recording Studios

3. Easter
Music - Loah
Lyrics - Katharine Tynan
Vocals - Loah and Bob Gallagher
Production & Mixing - Cian Finlay
Engineering - Loah and Ber Quinn
Mastering - Ruadhraí Cushnen at Camden Recording Studios

4. The Second Coming
Music - Loah
Lyrics - W.B. Yeats
Vocals - Loah
Harmonium - Loah
Piano - Loah
Production & Mixing - Cian Finlay
Recording Engineering - Loah
Mastering - Ruadhraí Cushnen at Camden Recording Studios

5. When I Rise Up
Music - Loah
Lyrics - Georgia Douglas Johnson
Vocals - Loah
Piano - Johnny Taylor
Guitar - Loah, Niwel Tsumbu
Mandolin - Niwel Tsumbu
Production & Mixing - Cian Finlay
Engineering - Cian Synnott at Windmill Lane Recording Studios
Mastering - Ruadhraí Cushnen at Camden Recording Studios

6. A Rose
Music - Loah, Michael Praetorius (Est Ist Ein Ros Entsprungen)
Lyrics - Gladys Casely-Hayford
Vocals - Loah
Piano - Johnny Taylor
Guitar - Loah, Niwel Tsumbu
Mandolin - Niwel Tsumbu
Production & Mixing - Cian Finlay
Engineering - Cian Synnott at Windmill Lane Recording Studios
Mastering - Ruadhraí Cushnen at Camden Recording Studios

7. The Body to the Soul
Music - Loah
Lyrics - Eva Gore-Booth
Piano - Johnny Taylor
Production & Mixing - Cian Finlay
Recording Engineering - Cian Synnott at Windmill Lane Recording Studios
Mastering - Ruadhraí Cushnen at Camden Recording Studios

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about

Loah Dublin, Ireland

Loah is Sallay-Matu Garnett, a singer songwriter of Irish /Sierra Leonian descent. She performs her unique blend of Afro- folksoul across solo projects and with collaborators. In 2020, she returned to her old vocation as a pharmacist to frontline, yet continued to contribute culturally, presenting several music shows and releasing When I Rise Up, an EP of poetry from the 1920s set to music. ... more

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